Digital Photographers' Newsletter

MARCH 2012 Edition


This months summary
(items are now hot linked from summary for convenience)
Lighting Used in Your Photographs

Lighting can be the difference between a mediocre and stunning shot. It can determine the mood and the overall feel. It will give your photograph ‘atmosphere’. It is helpful to learn how to identify different kinds of lighting and find the photo situations to give you that edge on others.bird

Light comes from all kinds of sources such as the sun, indoor lighting, the flash mounted to your camera, and the lights on cars and floodlit buildings. Here’s a more in-depth look at some of these sources and how you can use them to create stunning images.

Using the Sun can often be the simplest form of lighting: The sun is the best light source you’ll ever work with. It’s far away, and it isn’t too harsh for most of the day. Take your photographs in the early morning or twilight hours for best results.

Those are the times when the sun’s light hits your subjects from the side, creating a flattering glow that lighting effects.  Midday sun is very bright and creates deep unflattering shadows in portraiture.

Look for a setting sun and look where the sun’s light travels through the leaves on a tree, and photograph it with the sun in front of you. This produces a very pleasing glow to your backlit silosubject more so than with any other light source. It is great for portraiture to highlight hair and to give translucence to flower petals.  It also creates attractive silhouettes

There’s only one problem with using the sun as a light source. You can’t control it. You have to work with times of day and angles. forestSome things, no matter what time of day or time of year, will never be illuminated the way you want prefer.

Remember to keep against the sun light from reflecting in your lens by photo-graphing off centre or putting the coastsun  or light behind an object as in the above photo-graphs. 

Also be careful  with exposure. Avoid exposure from bright areas or it will give you a silhouette.

Maybe consider fill-flash in the outdoors against the light photographs. The flash lightens up some of the shadow areas and creates an image with more balanced exposure.

Artificial Lighting: Try some night photography of buildings and neon signs. You will need to steady your camera using a tripod or resting place. Pick a very slow shutter speed (5-15 seconds). You night lightsshould see the buildings and neon signs in full colour with buildings lit up by the its reflected light of the neon signs or floodlighting. The buildings and streets will very be colourful.  Wet weather adds to the charm of this night photography.  Also consider water features and river reflections.

b ridge

Shoot outdoors whenever you are able:

boats

Try to Take Advantage Of Natural Light When You’re Indoors: In daytime, and when your subject is inside and near a window, have your subject face the light and position the camera between the window and internalyour subject. This takes advantage of the natural light outside, illuminating your subject in a much more flattering way. The light from outside tends to be much more intense than the light inside and you may need to balance the external and internal light exposures.

Keep Your Shutter Open Longer and Use A Tripod: Try using a slower shutter speed like 1 second or 1/2 second when taking pictures. This lets more light into your camera, allowing you to take bright pictures without a flash.

While this is a good idea, you’ve got to pay attention to camera shake issues. Because the shutter is open for such a long period of time, any movement you make with your camera will usually blur your images. Best to use a tripod when doing this. It will keep the camera still so it can take in all the light without blurring your photo. Also be aware that any people you photograph with this technique will also be blurred -unless they stay absolutely still.

Increase you ISO speed and be surprised: Your camera’s ISO speed controls how receptive the image sensor is to light. This means you can use faster shutter speeds in low light conditions when you increase your ISO speed. This is great for taking portraits in moderately illuminated rooms where your subjects aren’t moving too fast.

You can access your camera’s ISO speed settings from the main menu. You islandusually have to be in some kind of manual mode in order for your camera to allow you to do this. Try different ISO speeds, and see which one works for your shooting situation. If your images are too blurry, keep increasing the ISO speed.

Be aware that an increase in ISO speed comes with a trade-off. High ISO speeds (greater than 400) can make your pictures grainy (pixilated).  Grainy images have this old-world feel about them. Suggest you try them sometime for the experience- you might just like them.


 

 

FREE

Photography BASIC NOTES

If you would like a FREE copy of my Basic notes please email request with Subject "Basic Notes"

email


LATEST TIPs for Digital Photographers gives you advice on How to Use your Digital Camera. Gives you a kick-start to using your camera. This has been shared FREE to our Network members.

Available TIPs:

TDP-0005 How to use your Digital Camera

TDP-0004 Photographing Motor Sports

TDP-0003 Capturing Movement with Shutter Speed

TDP-0002 Commonsense Colour Management

TDP-0001 Relationship of Shutter Speed and Aperture

If you would like to receive my regular TIPs please send me an email and I will place your contact on my email network group.

Samples of TIPS can be found in past Newsletters (see left column this Newsletter)

email email


Brisbane Seminars in the Library

Our popular monthly Seminars on BASIC digital photography are held on the third Thursday of every month at the Everton Park Library, BRISBANE
from 6-7.45pm.

MARCH seminar will be THURSDAY 15th

This month's Seminar will include discussions on digital photography, Digital Photography TIPs, and general discussion. ALL welcome

These Seminars are FREE and are part of our studio community program with the BCC Everton Park Library.

Bookings are essential

Please call the Everton Park Library on

07 3403 7400

to reserve your place.


Local Photographers' Email Network

Are you currently a member of our email network receiving these Newsletters each month and advice of library seminars and discussion groups?

Contact me to get your name on the list (FREE) and receive my regular TIPs For Digital Photographers.

email


Lifetime Saturday or Sunday Workshops

Our workshops are offered to assist you to learn the basics of digital photography by practical use of your camera.

By gaining a better understanding you will become more competent and creative. You will marvel at the improvement of your images and be encouraged by your newfound skills.

Next workshop will cover portraiture and people photography and will be held on the 25 MAY.

Please contact me for an enrolment form.

email

workshop page here


Problems when using infra-red focussing in the dark.

A Question raised at the last seminar sought reasons for the 'hunting' delay when trying to focus with infra-red in very dark environments.

There are two types of AF (Autofocus) systems – Active and Passive. The “Active AF” system works by shooting infrared light on your subject, then bouncing that light back to your camera to figure out the distance between the camera and the subject.

Once the camera knows what that distance is, it instructs the lens to adjust focus based on this information.

The nice thing about Active AF, is that it can be used in very poorly-lit environments, where normal (passive) AF does not function. The bad thing about Active AF, is that you can only use it for stationary, non-moving subjects and it only works for close subjects within 15-20 feet.

If you use a Nikon or a Canon speedlight that has an “AF Assist” function, it will use an Active AF system. The infra-red beam will bounce back from the subject. In dark environ-ments a smaller or on camera flask may not 'see' any objects to focus on and will 'hunt'.

On the other hand, the “Passive AF” system works very differently – instead of relying on infrared signal to find out the distance between the camera and the subject, it either uses special sensors within the camera to detect contrast from the light that goes through the lens (known as “Phase Detection”) or uses the camera sensor itself to detect contrast in the image (known as “Contrast Detection”).

What does “detect contrast” mean? Without going into complex terminology, this simply means that it tries to look for sharpness in a particular part of an image.

If it is blurry, the AF system will adjust the lens focus until sharpness/contrast is achieved.

That is why the Passive AF system requires that you have enough contrast in your frame for it to be able to focus properly.

When a lens starts to “hunt” for focus on single color surfaces like white walls or gradient/blurry surfaces, it happens because the camera needs objects with edges (contrast) that stand out from the background to be able to acquire focus.

In dark places this also tends to be a problem.

A more detailed discussion for the more technically minded can be found here.